The Wonder (Hardcover)

Staff Reviews
"This historical Fiction novel, set in Ireland revolves around a Florence Nightingale/trained nurse to look over an 11 year old child who hasn't eaten in four months and says she is being fed by her faith in God alone. Themes revolve around religion (Irish Catholic) and the church, media influences, superstitions, and doing what you feel is right to set someone you love free. Is this a well-planned hoax or are there hidden secrets within a family that would drive a child to do this to herself? Emma Donoghue, the author of Room, now brings you inside the walls of another small abode in the farm-country of Ireland!"
— From Peters PicksOctober 2016 Indie Next List
“Lib Wright, a protege of Florence Nightingale and a nursing veteran of the Crimean War, is dispatched from London to a remote Irish village to keep watch on Anna O'Donnell, a young girl who is rumored to have refrained from eating for four months yet continues to thrive. Miracle or hoax? Lib is determined to uncover the truth, but the truth is never simple. In this beautiful, haunting novel, Donohue weaves a tale of misguided faith and duty, exploited innocence, and redemptive love. What is the secret behind Anna's mysterious ability to survive? The truth is uncovered as The Wonder propels readers to a shocking conclusion.”
— Cathy Langer (M), Tattered Cover Book Store, Denver, CO
Description
Tourists flock to the cabin of eleven-year-old Anna O'Donnell, who believes herself to be living off manna from heaven, and a journalist is sent to cover the sensation. Lib Wright, a veteran of Florence Nightingale's Crimean campaign, is hired to keep watch over the girl.
Written with all the propulsive tension that made Room a huge bestseller, The Wonder works beautifully on many levels -- a tale of two strangers who transform each other's lives, a powerful psychological thriller, and a story of love pitted against evil.
Acclaim for The Wonder:
"Deliciously gothic.... Dark and vivid, with complicated characters, this is a novel that lodges itself deep" (USA Today, 3/4 stars)
"Heartbreaking and transcendent"(New York Times)
"A fable as lean and discomfiting as Anna's dwindling body.... Donoghue keeps us riveted" (Chicago Tribune)
"Donoghue poses powerful questions about faith and belief" (Newsday)
About the Author
She is best known for her novels, which range from the historical (Frog Music, Slammerkin, Life Mask, Landing, The Sealed Letter) to the contemporary (Akin, Stir-Fry, Hood, Landing). Her international bestseller Room was a New York Times Best Book of 2010 and was a finalist for the Man Booker, Commonwealth, and Orange Prizes.
Praise For…
"Fascinating.... Like The Turn of the Screw, the novel opens irresistibly, when a young woman with a troubled past gets an enigmatic posting in a remote place.... Heartbreaking and transcendent and almost religious in itself."—Sarah Lyall, New York Times
"[Donoghue's] contemporary thriller Room made [her] an international bestseller, but this gripping tale offers a welcome reminder that her historical fiction is equally fine."—Kirkus Reviews (starred review)
"Donoghue demonstrates her versatility by dabbling in a wide range of literary styles in this latest novel.... The closely imagined, intricately drawn story possesses many of the same alluring qualities as her bestseller, Room. .... Donoghue's engrossing novel is loaded with descriptions of period customs and 19th-century Catholic devotional objects and prayers...[and] asks daring questions about just how far some might go to prove their faith."—Publishers Weekly (starred review)
"Donoghue is known for her bestselling novel, Room.... [But] she is also well versed in historical fiction. THE WONDER brings together the best of all, combining a gracefully tense, young voice with a richly detailed historical setting."—The Millions
"Donoghue poses powerful questions about faith and belief all the while crafting a compelling story and an evocative portrait of 19th-century Irish provincial society."—Tom Beer, Newsday
"Fresh and unusually lively historical fiction. [Donoghue's] latest novel brings together both her preoccupation with child peril and her gift for history."—Boris Kachka, Vulture
"Like [Room], THE WONDERexplores a dark, insular, and rigidly controlled environment.... Donoghue's clever use of an outsider as narrator lets her explain anomalies to us-what a creepie is (a log stool) and why people tie rags to a tree (to hold their pain)-as she encounters them herself. But there is more to this mystery than superstitions and local dialect. Lib must decipher the private truths of Anna and her family, who have closed ranks in grief over the loss of a son. She must puzzle out the community itself and its contradictory beliefs in religion, science, and tradition. And Lib has her own sorrowful secrets, her own need for personal redemption. Donoghue deftly pairs the two stories, and as Lib uncovers the truth about Anna, she gradually owns the truth about herself."—Roxana Robinson, O, The Oprah Magazine
"THE WONDER by Emma Donoghue is just that: 'a wonder' of a story about religious delusion and self-denial [that] teem[s] with drama and great moral questions.... Donoghue manages to engage larger mysteries of faith, doubt and evil without sacrificing the lyricism of her language or the suspense of her storyline."—Maureen Corrigan, Fresh Air
"Donoghue proves herself endlessly inventive.... This is the kind of book that will keep you up at night and make you smarter."--Julie Buntin, Cosmopolitan
"Rich hauls of historical research, deeply excavated but lightly borne.... [An] ingenious telling."--David Kipen, Wall Street Journal—-
"A locked-room mystery, set in atmospheric 19th-century Ireland and as spare, in its own way, as Room.... A fable as lean and discomfiting as Anna's dwindling body.... Donoghue keeps us riveted to Lib's perspective throughout.... Thanks to the complexity of Donoghue's ideas, there's plenty on which to ruminate."—Amy Gentry, Chicago Tribune
"A blazing historical novel."—Marion Winik, Newsday
"Donoghue is a master of plot, and her prose is especially exquisite in depicting ambiguity...
Lib is a heroine the modern woman can admire."—Sarah Begley, Time Magazine